Nic Roeg has a grip on film few other filmmakers grasp (or fully respect). It's never just entertainment. Was introduced to him at a pre release screening of Puffball, just a brief chat in which I was thrown completely by his appreciation of a short film I'd recently made.
The introduction was by the director of a film school where I was teaching. She had a hand in organising the screening, knowing I was a Roeg 'fan' she'd sent him a link to my film. So, at the screening of his last film, something he'd struggled to raise finance for, he took the time to compliment a short film.
You had me at 'second unit cinematographer on Lawrence of Arabia.' Amazing.
Michael, you do a truly wonderful job of telling the man's story, and then explaining how he had significant effects on the directors and cinematographers who followed.
Nic Roeg has a grip on film few other filmmakers grasp (or fully respect). It's never just entertainment. Was introduced to him at a pre release screening of Puffball, just a brief chat in which I was thrown completely by his appreciation of a short film I'd recently made.
The introduction was by the director of a film school where I was teaching. She had a hand in organising the screening, knowing I was a Roeg 'fan' she'd sent him a link to my film. So, at the screening of his last film, something he'd struggled to raise finance for, he took the time to compliment a short film.
It meant, and still means, a lot.
You had me at 'second unit cinematographer on Lawrence of Arabia.' Amazing.
Michael, you do a truly wonderful job of telling the man's story, and then explaining how he had significant effects on the directors and cinematographers who followed.
Thank you!